Answers and Questions
A Review of 'River Dog'
by Kate Ancel
copyright November 18, 1999
"I have been acting
covertly."
"Drop kicking the sheriff
- you call that covertly?"
Writer Cheryl Cain gave us an
episode that answered some questions and raised a few more. She
gave us the banter we've come to love between Michael and Maria
and a healthy dose of pure romantic magic for Max and Liz. The
trio is coming ever closer to discovering pertinent information
about their heritage with a little help from their friends and
the bonds of trust that began so shakily in '285 South' are
beginning to cement.
Random Thoughts:
This episode showed us clearly
that their joint adventure to Texas has strengthened the bonds of
trust between these five people. They were all much more
comfortable with each other and it allowed us to see a little
more of their lighter sides. In spite of the fact that the
situation is growing more dire, they all found time to laugh,
smile and tease each other. It was a nice change.
One thing that does bother me a
bit is that things seem to be falling apart awfully fast. It
makes me wonder how much farther they can stretch this story
believably. Both the FBI and the sheriff are pretty convinced
that Max, Isabel and Michael are suspicious. What are they
waiting for in the way of evidence to make a move? It seems
apparent from this episode that they are watching them to see
what the kids will uncover. But it's unclear to me how
discovering artifacts from the crash and information about the
people involved translates to hard evidence that the kids are
aliens. If that was all that was needed for evidence, every
UFOlogist in the world would be under suspicion.
River Dog is still an unknown
quantity. It's true he provided some answers; confirming the
existence of at least one other survivor of the crash and giving
the kids yet another link to their past. But he raised more
questions about the whereabouts and actions of that survivor.
We did get confirmation that
Topulsky is indeed working for the FBI, although the possibility
of an agenda hidden even from them still exists. I do have to
wonder how the Bureau expects to accomplish anything with such
inept field agents, though. Topulsky is about as subtle as a Mack
truck and Mr Inconspicuous on tail duty is failing abominably at
blending. At least Topulsky seems to be taking fashion tips from
Scully with the high-heeled boots on a stakeout. And let's not
mention the important pieces of evidence they conveniently left
behind for the sheriff when they ransacked his office. The key I
can understand, but an envelope of pictures under his desk
drawer? Please. Very sloppy work indeed.
Speaking of the picture in the
envelope, did anyone else notice that this was a different
picture than the one the sheriff showed Liz in the first episode?
In the picture Liz saw, the chest and the handprint were clearly
visible, but the face was in almost complete shadow. Now we have
a face so clear we can match it to an author's photograph in a
book.
Interesting choice of movies
playing at the theatre where Max and Liz pulled their bait and
switch. The Lady Vanishes and The Secret Agent.
Very appropriate, I thought.
It seemed a little out of
character to me for Isabel to wear the necklace she found at the
dome in plain sight, especially when she was so harsh with
Michael about displaying his painting at school. But it was nice
to see her get a little more excited about finding keys to their
past. She's still scared, but now her interest has been piqued
too.
I couldn't help but think it's
pretty lucky Max lives on the first floor. That window gets more
traffic than most front doors.
Dislikes:
- The flirting between the
sheriff and Topulsky. It just doesn't work for me. I
haven't made my mind up about the sheriff yet. I can't
decide if he's a really bad guy or just someone with
something to prove. But he makes my skin crawl whenever
he flashes that flirty smile at Topolsky. Stick to the
facts, officer; just the facts.
- I'd like to know what kind of
forcefield Max has put over his Jeep that keeps the wind
from ruffling anyone's hair.
- How did they get Maria's car
to start for the return trip? I guess those secret powers
can be really useful when you know how to use them, eh
Michael?
- Where has Alex been? This
character is sadly underused. He's got great potential
when he's not missing in action.
- It bothered me that Max
didn't write down the symbols on the cave wall,
especially after he was told they couldn't come back. How
are they ever supposed to decipher them if they can't
reference them? And it denies Isabel and Michael the
opportunity to even see them. Just because Max couldn't
remember what they meant, doesn't mean that the other two
won't. Seemed sloppy and out of character to me.
- Teasing us with trailers that
include scenes not in the aired episode. What happened to
the "Are you insane?" scene between Isabel and
Michael we were shown at the end of 'River Dog'? Wasn't
that from 'The Morning After'?
Likes:
- I liked the montage of scenes
at the beginning of episode before scenes from last week
were shown.
- It gave me a lot of
satisfaction to see Topolsky getting her butt chewed for
sloppy field work.
- We got to see laughing and
teasing and smiling!! It was a long time coming, but it
was worth it. Great scenes between Maria and Liz
discussing Michael and also between Max, Isabel and
Michael discussing Maria. I liked the teasing between
them.
- The love/hate relationship
between Maria and Michael is wonderful. Their bickering
is hysterical and their lines are priceless. Brenden and
Majandra look like they're having such fun together. I'm
glad we're along for the ride.
- It's nice to see that Liz
doesn't view Max as the father-figure Michael and Isabel
do. His word is not law to her, which appears to be a
fairly new concept to Max. He didn't quite know how to
handle it when she made it clear she didn't need his
permission, but wanted his understanding. His struggle to
hang on to some semblence of control of the situation was
obvious, and as was his fear for her.
- The increasingly close
relationship between Max and Liz just continues to
enchant me. I can't help it. The scene in his bedroom was
just beautiful, in my opinion. I loved when Max held out
his hand to help Liz in the window and his nervousness
when he realized that he'd held her just a tad too long
after catching her. I loved how shaky his voice got when
he told her to come back. But mostly I loved the
intensity of emotion that passed between them at so
simple a gesture as touching foreheads. Jason and Shiri
continue to blow me away with their scenes together.
- I liked the way the final
scene played out. Max didn't much care for River Dog
playing mind games with Liz and attempting to put doubts
in her mind. With his outstretched hand he seemed to be
asking for her trust and the image of them walking away
hand in hand worked for me.
Favorite Quotes:
- Maria: "Oh, the Stalker.
Good luck with that one Lizzy."
- Maria: "Michael is the
type of person my mother likes to refer to as a vibrator."
- Sheriff: "Only when they
blow through three red lights, two stop signs and do 70
in a 30 MPH zone. Miss Topolsky, you are a walkin',
talkin' movin' violation."
- Miss T: "I'll take that
the best way I can."
- Maria: "Interesting. You
know Michael, some wome of the 20th
century would find that last comment a tad bit offensive."
- Michael: "Why?"
- Maria: "Why?"
- Isabel: "Welcome to
Michael-land."
- Isabel: "Are you guys
flirting? Could my life get any worse?"
- Maria: "I mean, it could
never be. There are a number of obstacles
his hair,
his personality, the fact that he was hatched."
- Isabel: "Fine, but don't
let her blather too long because I'm desperately low on
minutes."
- Sheriff: "I woke up with
one hell of a headache."
- Miss T: "You must have
had your head in the wrong place."
- Maria: "I hope you
intend to pay for that."
- Michael: "I do not."
- Maria: "Well that's
theft, buddy."
- Michael: "Arrest me."
- Isabel: "We all like
things extremely sweet and extremely spicy.
It's our little dietary quirk."
I give this episode 4 UFOs out of
5. All in all, a solid, well-crafted outing.
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